A Sampler of Paris’s Great Churches

Like most historic cities, Paris is full of beautiful, architecturally and culturally significant churches.  Here are a few of my favorites. 

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The oldest church in the city is Saint-Germain-des-Prés, begun in the sixth century as part of a powerful abbey.  Little of the original building survives, and the current church, in the sturdy Romanesque style, dates primarily from the eleventh and twelfth centuries. 

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While the nave  frescoes date from a nineteenth-century renovation, the paint colors of the walls, columns and ceiling give a good idea of the original Romanesque appearance.  The church is a popular venue for concerts.  A gospel choir from Alabama was performing when we visited in 2002. 

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The Cathedral of Notre-Dame, in the heart of Paris on the Île de la Cité, is one of the world’s great monuments of Gothic art and architecture.  Construction began in 1163.  The western façade, towers and rose window were completed by 1250.

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The Cathedral was heavily damaged during the French Revolution.  The row of biblical kings between the portal and rose window, for example, were beheaded because they were mistakenly identified as kings of France.  The current heads are nineteenth century reproductions.  Many of the originals, discovered in the late 1970s during an excavation, are now on display at the nearby Cluny Museum of Medieval Art. 

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Interior of the nave, showing the classic Gothic elevation of arcade, triforium and clerestory.

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My favorite view of Notre-Dame, from the southeast, showing the eastern apse and its famous flying buttresses, the first of their kind.

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The mid-thirteenth-century Sainte-Chapelle, an example of Rayonnant Gothic architecture, was the royal chapel of Louis IX , also known as Saint Louis.  Built to house the king’s newly acquired collection of Passion relics, the church resembles an enlarged reliquary.  Today it’s surrounded by the gated and heavily secured Palace of Justice.

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The upper chapel is known for its extraordinary expanses of original stained glass.  Due to advances in Gothic building techniques, the stone framework of the wall is minimal.  Unlike many of the large Gothic cathedrals, which were constructed over centuries in fits and starts, the Sainte-Chapelle was completed in a quick five years.  The style of its stained glass, sculpture and architecture is therefore remarkably coherent. 

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  A smiling angel in the upper chapel.

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The lower chapel, with its brilliantly painted and gilded tracery,  is a lovely spot for small concerts.  During my Paris summer, we attended an unforgettable chamber concert of Vivaldi’s Four Seasons.

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Steps leading to the Basilica of Sacré-Coeur atop the hill of Montmartre,       the highest point in Paris.

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Sacré-Coeur, begun in 1875,  was built in the Byzantine-Romanesque style reminiscent of domed churches in the Dordogne area.  Dedicated to the Sacred Heart of Jesus, the church was funded by public subscription as an offering of penance after France’s defeat in the Franco-Prussian War. 

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In the crypt, a statue of Saint Denis, the patron saint of Paris.  Bishop of Paris in the third century, he died a martyr’s death by beheading atop Montmartre hill.  According to legend, he picked up his head and walked six miles, preaching all the way.  The early Gothic church of Saint-Denis marks the spot where he was said to have died. 

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A view from the dome, well worth the walk, unless one suffers from claustrophobia. The path up, not surprisingly, is along a very narrow, winding stone staircase.

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Columns of the dome, with city views behind.