May our country and our world unite behind Ukraine:
in support of democracy and freedom, over tyranny and oppression,
unity over division, and good over evil.
May our country and our world unite behind Ukraine:
in support of democracy and freedom, over tyranny and oppression,
unity over division, and good over evil.
Several years ago I wrote about opening an old childhood stationery box to discover some vintage love notes written to me by a fellow classmate, when we were both in third grade. Recently I came across another such note, by the same sender. I knew him back then as Danny. We’re still in touch on social media, and now he goes by Dan. In this one, young Danny had opted for the uniquely inventive approach he had chosen in another of the letters. Typed on onion skin paper, it began boldly, with an all-caps declaration of love. What third grader was typing in 1970? An urban sophisticate like Danny, that’s who. He’d recently gained access to his mother’s cutting edge IBM Selectric. Below the greeting, the top quarter of the page is occupied by identical lines like this:
1oooooooooooooooooooooooooooooooooooooooooooooooooooo
Below these lines appears the word TIMES.
That’s a lot of love times.
And then this humble admission: I LOVE YOU MORE THEN YOU LOVE ME.
And, typed, but then unsuccessfully erased, is this:
Kiss me After School Greg ? or Danny
The absence of all-caps suggests that this is more of a whimsical wish than a demand.
The reference to a possible after-school kiss appears in another of the notes, and it baffled the adult Dan. He thought of himself a shy kid, certainly not one to request, or to expect, such a thing. Greg’s name is found in another of the notes, as well. The adult Greg cannot remember conspiring with Danny in the composition of love letters. That’s not surprising, considering that Dan and I have also forgotten many of the circumstances surrounding the making, sending and receiving of these decades-old dispatches.
The notes were compelling enough for me to save, and to keep, for all these years. They’ve become artifacts that bear witness to past selves, even though memories of that past have dimmed.
And they still have power. My husband was impressed. No matter who was responsible for the “kiss after school” line, it struck him as a great idea. This Valentine’s Day, inspired by the youthful audacity of Danny, or Greg, or both, he made me a card that read:
Want to kiss after school? With who? (Select one)
Below were three boxes to check, each beside his own name.
What would my third-grade self have done? Probably kept quiet, done nothing, except file the paper away safely, as I did with Danny’s letters. But the older me knew what to do. I checked all three boxes.
************************************************************************
For the earlier love-letter posts, from March 2014, see:
Young Love, Old Love Notes, Part I
and Part II
The animals were back, after last year’s absence, at our church’s live nativity this Christmas Eve. Joining us again were a burro, a small ox, a sheep, a goat, and, of course, a camel. Because of ongoing covid precautions, no human actors were featured in the tableau. . .
. . .except for camel’s handler. Delilah was the camel on duty this year; her colleague Samson was engaged elsewhere. She was as friendly and patient as we’ve come to expect her to be.
Kiko enjoys the live nativity primarily for the multiplicity of smells it affords. The animals responsible for them are of less interest. Our dog rarely looks up, and the camel’s great height puts her well out of Kiko’s radar. He seems oblivious to her presence.
Delilah isn’t especially curious about Kiko, either, but she never seems to tire of posing for photos with a parade of curious onlookers. If encouraged, she offers a welcoming nuzzle.
The furry little donkey has a cuteness quotient that rivals any dog’s.
Evidently the group had a busy holiday schedule. The sheep was drowsy, and the goat was sleeping soundly, until Kiko got close and woke him. The goat was startled, and Kiko was even more so.
One family brought along their big white bunny, whom they eagerly introduced to Kiko. The rabbit didn’t appear enthusiastic about the meeting; his air was more akin to that of a sacrificial victim. Our dog had never seen a bunny before, and he wasn’t sure what to make of this new creature. Should he consider it an equal, as he does the sheep, goat and donkey? Or is it more like a squirrel, something to be pursued? After several encounters, he seemed possibly inclined to think it was the latter. At that point, we made sure he kept some distance from the bunny, who was, no doubt, relieved.
Delilah opens her mouth for a big yawn. Her shift is coming to a close; it’s nearly time to get back into the trailer for the next gig. She wishes everyone a lovely Christmas Eve and a merry Christmas!
Thank you, this Veterans’ Day to all those who put their lives on the line to defend our country and our freedom. My father is the first veteran in our family that I typically think of on this day set aside to honor those who’ve served. My Uncle Bill is the second. Daddy was stationed in Regensburg, Germany, with the U.S. Army Occupational Forces following World War II. My mother’s brother, Bill, enlisted at sixteen and served as a Frogman in the Pacific.
While looking for a photo of Daddy or Uncle Bill to post on Veterans’ Day, I came across a picture of another family member in a military uniform. I don’t recall my father ever mentioning his distant cousin, Hunter, above. According to the inscription on the back of the photo, in Daddy’s neat handwriting, Hunter was a Lieutenant in the Air Service during World War I. He was born August 30, 1895 in Jane Lew, West Virginia, which is also my grandmother’s home town. He survived the war, and died at age sixty-five on May 9, 1960 in Martinsburg, West Virginia. He’s buried in Arlington Cemetery. The photo bears no date, but it must have been taken in 1917 or ’18, when he was twenty-two or twenty-three. When he was my daughter’s age.
I learned from another cousin that Hunter was the son of my great-grandmother’s brother, which makes him my grandmother’s first cousin. He was married in 1922 to a woman named Marion, and together they had at least one child, a son. I wish we knew more about Hunter’s experiences during the war. I wish I could read some of his letters home, as we’ve read my Uncle Bill’s. I wish we knew more about Hunter’s later years, as well. I hope he has grandchildren now keeping his memory alive. I hope they have photos that document other notable stages in their grandfather’s life. But I’m grateful that at least I have this lone visual record, this window into Hunter’s young adulthood, when he was a dashing pilot in jodhpurs and goggles, striking a jaunty pose before climbing into his plane to do his patriotic duty. Thank you, cousin Hunter, for your youthful confidence and courage. I hope it stood you in good stead throughout your life.
The last time our daughter was home for Halloween was in 2017, her senior year in high school. Her return for the recent holiday weekend therefore seemed extra special. Slim was eager to see our daughter, as well. He recognized her as his ideal partner in preparing for all things Halloween. She is nearly as big a fan of the day as he is. Ever since she was a toddler, Halloween anticipation has begun for her in the summer. (See Friendly Ghosts of Halloweens Past, October 2013.)
In 2020, because of Covid, young parents in our neighborhood organized a Halloween parade, with all trick-or-treating outside. The kids progressed from one end of the neighborhood to the other, to tables set up by families in front of their homes. It worked so well and was so enjoyable that they decided to do it again this year. I liked it because it made it easier to appreciate the costumes and gave more time to chat with kids and their parents.
Our daughter was determined to make our Halloween display as thorough as possible. Slim was equally zealous, of course. Together, they hauled out all the old, mostly homemade decorations that D recalls fondly from her childhood: Fred, the stuffed dummy, the tombstone and graveyard fencing, various skulls and bones, jack-o’-lantern votives, spiders and spiderwebs. They festooned our tables for treats in appropriately witchy garb. They set up the fog machine and an outdoor speaker for projecting spooky sounds. They rolled out the love seats from the garage so we could be comfortably seated during the parade. This persuaded even my mother to join us. When we began to see the children approaching, Slim climbed up in a cherry tree, and D, wearing the gorilla costume that we just happen to have, hid herself from view.
As each group of children chose their treats, my husband, holding a heavy chain, would ask, “Has anyone seen my pet gorilla?” Then D would pop up from behind the love seat and jump around. The performance was well-received, usually with genuine surprise. No one was overly frightened, which was as intended, but one little boy asked his mother to remain close by his side as he got his candy. Several trick-or-treaters, and possibly one parent, wearing an inflatable T-Rex costume, engaged in high-spirited dance-offs with the gorilla.
Thanks to our friendly neighborhood, the parade, to the presence of Slim and our daughter, this Halloween was one of the happiest I can remember. It was rewarding to see just how many children live among us. We were impressed by the innovative costumes, on both kids and adults. How satisfying it was to see neighbors out socializing as they provided treats. As Slim likes to remind us, Halloween has evolved from an ancient Celtic harvest festival into a day when we affirm our common humanity through a love of sugar. It’s a day to welcome back, unapologetically, the child that abides within us, no matter our age. A time to share some sweetness and joy with others, simply because we’re God’s children here together. After all, it’s the custom to give candy not only to those we know personally, but to everyone who stops by.
It was a perfect top-off to the evening when a small Superhero jumped out of a highly decorated SUV and brought us a festively wrapped bottle of sparkling wine. We’d won one of the prizes for best display. Our daughter’s and Slim’s efforts had paid off. We’d given treats, and we got a treat. That, my friends, is Halloween, isn’t it?
Slim was more than excited to learn that Trunk or Treat at our church was back on this year, after being Covid-canceled in 2020.
He jumped for joy when he heard that our daughter would be returning from Maryland for Halloween weekend. He hadn’t seen her since he popped in on her unexpectedly in Charlottesville in 2018 for Trick or Treating on the Lawn. (See here and here.) On a beautiful Saturday, with perfect fall weather, D joined Slim, me and the pack in the church parking lot, to greet and provide candy fuel to a large and enthusiastic crowd of happy, creatively-costumed kids and their families. After so much isolation during the darkest days of the pandemic, the gathering was especially cheery. The rousing music provided by our church pianist from a keyboard in the back of his pick-up truck served to further heighten the mood. Slim sang along with every tune, as his musical reportoire is vast.
On the ride home, he was simply giddy. I repeatedly had to remind my rowdy passenger to remain seated. He waved eagerly at passing cars and emitted celebratory whoops, hoots and hollers. He belted out a steady stream of snippets from his favorite party songs: Cel-e-brate good times, come on! . . . Let’s paint the town! And shut it down! . . .We’re gonna party like it’s 1999! . . I got me a car, it seats about twenty, so come on and bring your jukebox money! . . .Well, I’m just out of school, like a real, real cool. Gotta dance like a fool, Got the message that I’ve gotta be a wild one, Oh yeah, I’m a wild one. . .
Yes, that Slim, he’s a wild one. But his is a sweet, innocent wildness, like that of a child. And his humor is infectious; he can bring a smile to even the dourest of faces. I’m glad he’s here. Everyone needs a friend like Slim.
Once home, he whistled for the pack to join him in the annual Halloween joyride. The gang piled into my VW in a flash. Even Kiko moved briskly, which is unusual for our elder statesman these days. Time to cruise the neighborhood to promote more Halloween fun! The big day approached!
In one of my longer Provincetown walks this summer, I got as far as the hilltop apex of Bradford Street, where the tall, narrow Gothic revival cottages above are located. With their sharply peaked roof lines, the structures could well be the home of friendly witches in a children’s book. The neat, enclosing hedge and abundant plantings further enhance the compound’s charming storybook aspect. Built by a sea captain in 1850, and home to several artists over the years, the cottages are now owned by a local art and antiques dealer.
The view toward the bay from the upper windows of the buildings above must be spectacular. I took this photo from just across Bradford Street, at the edge of a precipitous drop.
Flamboyant orange tiger lilies stand out against the weathered shingles of another hilltop Bradford Street home.
Back on Commercial Street, near the heart of town, is the elegant wedding cake building above. At the time of its construction in 1860 as the Center Methodist Episcopal Church, it was purported to be the largest Methodist church in the United States. Its original, emphatically tall steeple was removed after it was damaged in the severe winter storm of 1898. Since then, the arched belfry alone has topped the building. Once the congregation left for a newer, more easily manageable building in 1958, the church became home, for about a decade, to the Chrysler Museum, and later, to the Provincetown Heritage Museum. Following an extensive renovation, completed in 2011, the building now serves as the town’s Public Library.
The building’s light-filled interior is well worth a look. It’s high-ceilinged upper floor still contains a sixty-six foot long, half-scale model of the Provincetown schooner, the Rose Dorothea, winner of the 1907 Lipton Cup Fishermen’s Race. The model, completed in 1988, by a group of volunteers led by Francis “Flyer” Santos, is a tribute to the long tradition of New England shipbuilding and to the intrepid fishermen of Provincetown.
The library, with its large windows, is a lovely place from which to survey the surrounding town. Above, we look across Center Street to the home built around 1870 as the parsonage of the Methodist Church. The current owner is the proprietor of Provincetown’s Shop Therapy, which bills itself as a “world famous alternative lifestyle emporium.” The wild spirit of the sculpture garden that surrounds the house is similar to that expressed in the brightly colored murals that adorn the facade of Shop Therapy. The Pilgrim Monument rises in the background.
This view above shows Commercial Street shops, the harbor, pier and breakwater.
I like to walk the town’s short lanes that connect Commercial and Bradford streets. They offer unique perspectives on enclosed gardens and quiet enclaves mere steps away from the tourist crowd.
Provincetown’s government center is Town Hall, built in 1886 and situated at the very midpoint of the town. Every registered, resident voter is a member of the town’s legislative body. Town Meetings, as well as concerts and special events, take place here in the capacious auditorium. The Victorian building underwent a massive renovation, completed in 2010, after portions of it were deemed structurally unsound. The current green and white color scheme mimics the original palette.
Following the sale of the Center Methodist Church, the congregation built their new home on Shank Painter Road, a bit removed from the town center. The spare Modernist building opened in 1960. The sanctuary, with steeply sloping redwood walls, resembles the upturned hull of a boat. Provincetown United Methodist Church is a vital hub of community life. In addition to Sunday worship, the congregation runs a Thrift Shop and Soup Kitchen. The church hosts a number of twelve-step groups and serves as a rehearsal space for some theater groups. Our family has been attending worship there once every summer for many years. It has become our church home away from home. We looked forward to being back in the company of the small, welcoming congregation, to an uplifting sermon by the Reverend Jim Cox and to a moving anthem by the delightful “Joyful Noise Choir.” When we arrived on our annual Sunday morning in August 2019, we were surprised, and somewhat alarmed, to see that Reverend Jim was not there. A guest minister presided. Toward the end of the service, she seemed to be stalling for time. Before long, Rev. Jim was proceeding slowly up the center aisle. Gravely ill, he’d come to say goodbye. He died just over a month later. We’re grateful that we could be among the flock that day, to thank him for being such a source of kindness, wisdom and good cheer, for walking the walk of faith and love of neighbor in all circumstances. Appropriately, his Celebration of Life included a New Orleans-style brass band “Second-Line Procession” from Town Hall to the Church.
The Delta surge of Covid prevented us from attending church this year in Provincetown. As of June, the pastor is Edgar Miranda. God willing, we’ll meet him next year.
This large Bradford Street residence, built in the 1870s, stands out for its dramatically peaked gable roof and Stick Style ornamentation. It was home to a succession of artists and merchants before opening its doors to paying guests. Currently operated as Stowaway Guesthouse, its pleasant rooms are brightly painted, and the spacious grounds are lushly landscaped. It’s one of Provincetown’s many inviting, privately run inns.
On every return walk to Truro, I pause again to look back toward Provincetown. The familiar elements are there: the white house, the bay, the curve of the town. When the distinctive features of the Provincetown skyline, such as the Pilgrim Monument, the towers of the Library, Town Hall and the Unitarian Universalist Meeting House, are visible, it calls to mind a decorative miniature village in a model train display. On cloudy days, the buildings blur together into a vague impression, a palette knife rendering in tones of gray and white. Sometimes, as in the view from our cottage in Truro, dense fog obscures the town altogether, and the white house could be perched at the very edge of the world. At low tide, the home looks out to a vast, low basin of sand. At high tide, the waters of the bay seem to lap at the base of the porch. The view is never the same, yet always the same. I find this somehow comforting. I know it will be there waiting for me next year. And it reminds me that even in the most mundane of life’s daily routines, there lies the potential for endless variety, for boundless possibility.
I didn’t make it to Provincetown’s far West End this summer. I’ll save that part of the tour for next year.
Back in the Covid summer of 2020, it seemed reasonable to hope that in a year, a visit to the Cape would no longer involve considerable pandemic restrictions for the vaccinated. But that was well before the rise of the Delta variant and Provincetown’s post-July 4th surge in breakthrough infections. Therefore, many of our favorite activities–dining inside at restaurants, seeing musical and comedy shows, singing in a packed crowd of strangers around Bobby Wetherbee’s piano at the Crown & Anchor–remained off limits. There would be no festive Ptown nightlife for us this time, sadly. We didn’t, and still don’t, want to take risks that could bring the virus back to my mother. But walking through town in the early mornings, when the streets are nearly empty, seemed safe. I don’t always walk down Shore Road further into Truro. Sometimes I head in the opposite direction, and before long, I’m in Provincetown.
In terms of actual area, Provincetown is a small place. Its narrow, curving peninsula occupies about seventeen and half square miles. But surrounded on three sides by water, and with the vast, ever-changing sky above, it seems much larger. The year-round population is less than 3,500, but it swells to about 60,000 in the summer. The town’s spirit, too, like its capacity to receive guests, is generous, expansive, and welcoming.
Provincetown’s colorful present is matched by a colorful past; there’s a lot of history here. The original residents were the Nauset tribe, who interacted with the Pilgrims not long after they arrived on the Mayflower in 1620. The Nauset, and their neighbors the Wampanoag, like many of the Europeans who followed, valued the area and its deep, protected harbor, primarily for its excellent fishing. The Pilgrims moved on in two months to Plymouth, but the colony continued to rely heavily on fish from its waters. The town was a prominent whaling center for nearly two hundred years. Provincetown whaling ships sailed as far as the Azore Islands, where Portugese sailors often joined the crews. By the 1860s, Provincetown was home to a substantial, and growing, Portugese community. The railroad made the remote village more accessible in the 1870s, and the area’s great natural beauty began attracting tourists and artists. The first of many art schools opened in 1899. By the early twentieth century, Provincetown had become a destination for writers and theater people, as well as visual artists. In the summer of 1916, the Provincetown Players gave the first-ever performance of a play by the young Eugene O’Neil. When Tennessee Williams arrived in 1940, a gay community was already flourishing. In the 50s and early 60s, attempts were made to shutter gay-themed entertainment spots. These efforts failed. Today, Provincetown welcomes everyone. It’s a big-hearted, good-humored, judgment-free zone, a place where no one is a misfit, where no one is friendless for long.
And it’s a beautiful place. In the quiet early morning, it’s especially easy to appreciate the town’s charming architecture and gardens, and to catch near-hidden glimpses of the bay between buildings. On my walk from Truro, I usually pause at a wooden stairway leading to the beach, where I take in the view above. The big white house at far right, with the bay and the curve of the town behind it, is one of the most frequently painted and photographed scenes on the entire Cape. A Colonial Revival built in 1917, the house is situated near the division of Route 6A into the town’s two main streets, Commercial and Bradford. It’s at this point that Provincetown starts to look and feel like a real town, rather than a sparse collection of homes along the water’s edge. All the buildings in this post are situated along Commercial Street.
Provincetown has the typical resort town’s share of tee shirt and knick-knack shops. But even most of these are enclosed in architecturally charming exteriors, and clustered primarily in the busy central section. After passing the white Colonial house, I’m in the largely residential East End, a contrast to the touristy bustle of the town center. The front yard pocket gardens along this peaceful stretch of Commercial Street are often color-coordinated and carefully tended. They offer proof that small, thoughtfully planted spaces can pack an outsized visual punch. Many art galleries are mixed in among the East End homes.
Originally the Eastern School, the towered structure above, like many historic Provincetown buildings, has seen several uses. It’s currently the home of art galleries and WOMR-FM (Outermost Community Radio).
Teeny tiny Iota Cottage, above, got its name from a former owner, Jonathan “Jot” Small, who somehow managed to run a restaurant here in the 1930s.
A few homes, like this one on the land side of Commercial Street, stand out for their luxuriously expansive lawns, rare in beach communities.
I find it hard to imagine a more pleasant low-key approach to the water than this narrow, rose-bordered sandy lane.
Small blue plaques on many Provincetown buildings indicate points of historical importance and associations with well-known people. The house above was the home of Donald MacMillan (1874-1970), for whom MacMillan Wharf, in the town center, is named. The influential Arctic explorer, scientist, sailor and teacher lived here as an adult; he was born a few doors down on Commercial Street.
The current owners clearly delight in their unique and historic home. I often notice what appears to be a dog puppet perched, as though to welcome guests and greet passersby, in the upper, open half of the Dutch door. I see this happy puppet, accompanied by seasonal decorations, as a manifestation of Provincetown’s jovial, quirky hospitality. Look closely, and you’ll see similar expressions all over town. It’s just that kind of place.
Check back next week, as the Provincetown tour continues into the center of town and out onto Bradford Street.
Last summer, the pandemic interfered with our annual trip to Cape Cod. For the first time in twenty years, our family failed to spend part of August at the modest little cottage complex in Truro that we love so well. My husband began going there with his parents and siblings when he was a little boy. Our journey to the Cape is not just a vacation; it’s more like a pilgrimage. That narrow ribbon of land, curved like a hook into the bay, is, to us, if not quite the promised land, then something quite close to it. Certainly it’s a second home. We have no financial claim to any bit of real estate there, but we’re loyal renters. More importantly, as pilgrimage sites do, the place has claimed us as its own.
When we return, we go back to the same waterfront cottage, at the same time every year. We reconnect with many of the same families. We look out to a vast expanse of sand that leads to Cape Cod Bay, framed on each side by islands of sea grass and wild roses. The spare, simple skyline of Provincetown, about a mile away, appears to float atop the water. Its most distinctive feature, appropriately, is the tall, granite bell tower that commemorates the arrival of the original Pilgrims to the area, in 1620. Five weeks before landing at Plymouth, the Mayflower docked at what is now Provincetown Harbor. Due to rough weather, the ship had missed its mark in Northern Virginia. Anchored far north in Massachusetts, where the contract the Pilgrims had signed with the Virginia Company was deemed void, the group determined “to covenant and combine . . .together into a civil body politic,” to maintain order and the common good. So it was in Provincetown that the Mayflower Compact, an early and largely successful attempt at democracy, was written and signed. The Pilgrim Monument, now the symbol of the town’s warm, accepting and all-inclusive spirit, reminds us that great things are possible when we work together. For residents and returning pilgrims like our family, it’s a welcoming beacon. I love it that the tower is the anchoring feature in the ever-changing view from our little cottage.
Our view toward the bay varies minute by minute with the shifting of the light, the play of the clouds and the passage of the hours. The ethereal, transformative quality of Cape light has long made this area a favorite destination for artists. Above, around noontime, the sun glints off sparkling blue water, and a line of clouds hugs the horizon, in an otherwise clear sky.
On partially overcast afternoons, the water tends to turn silvery, like a sea of mercury. It’s often on days like this that the wind picks up, and my husband, and also now our daughter, may be out windsurfing.
One evening toward sunset, a sky resembling orange sherbet settled above the town’s dark silhouette and a bay of molten lead.
The color of the sand is changeable, as well. In early mornings and late afternoons, it may take on a peachy pink cast, as in the photos above and below. The dark patches of seaweed that litter the beach no doubt seem unsightly to some. But we’ve grown so used to it that it’s no longer remarkable. It’s just more evidence of the abundant life that thrives in and around the bay.
Occasionally, as a storm or dense fog moves in, all the towers of Provincetown are rendered completely invisible.
To me, the loveliest time of the day is just before sunset, when the shadows in the sand turn a magical, brilliant blue.
Sunset itself, on every clear day, is an event that brings our small, enduring community outside in admiration and awe. The sky often glows with streaks of increasingly fiery red, orange and yellow. And then, as the brilliant colors gradually dissipate, and Cape light fades into Cape night, the Pilgrim Monument is illuminated. Its white granite glows clean and bright against the dark sky. The tower is typically the last thing I see before I close my eyes at night. How comforting to know it is there, a reassuring beacon at all hours, in all weathers and seasons.
September is here, and another summer has passed in a blur. The view out every window in our house today is likewise blurry. The panes are wet and foggy in the aftermath of last night’s ferocious storm. As the remnants of Hurricane Ida passed through our area, I held my frightened dog as close as I could. For the first time in all his fourteen years, Kiko put his head right beside mine on my pillow. When he was younger, I might have said absolutely not: that’s too much doggie closeness. But last night, his little body, which trembled violently with every pulse of lightning, felt thin, fragile, and frail. My elastic, invincible puppy had long ago morphed into a senior dog. Very recently, he’s become an old man, often stiff, uncertain and hesitant. And in that middle-of-the-night angst that seizes me occasionally, my dog wasn’t the only one needing comfort. The strobe-effect lightning, the crashing thunder and the pounding rain seemed like a frenetic, wailing choral expression of world-wide pain.
There is more than enough grief and suffering to go around, these days. We’re eighteen months into a pandemic that continues to wreak havoc when it should be winding down. Every snippet of news, every glimpse of a headline, attests to some novel catastrophe of global proportions. Raging wildfires. Sudden, unpredictable floods. Another day, another mass shooting. Young lives tragically lost in the very last gasp of our twenty-year conflict in Afghanistan, and so many lives in peril now because the war is over. Everywhere, peace is more elusive and unlikely than ever. If Edvard Munch were alive today, his most well-known work, The Scream, might be a long series of paintings. All of these sad and frustrating thoughts swirled in my head as I cuddled my dog during the storm.
With the morning light, dully yellow-gray as it was, the world never seems quite so hopeless. My dog is still old, but he’s no longer shaking with fear. Surviving a storm typically reinvigorates him temporarily. The news is still mostly bad, of course. And there is this significant transition to reckon with: our daughter has moved to Maryland and started her job. The summer flew by in a blur because there was so much to do as we anticipated and prepared for this major change. We were busy. And now that long-awaited change is here. The new life phase that our daughter begins is brimming with purpose and meaning: a new address, the start of a career, a time to chart her own unique course, one no longer set by her parents. And what of us, her mother and father, now true empty-nesters? We’re elated for our daughter. And anxious, as well. We’ll be cheerleaders for her, certainly. But what will we make of our new life phase? Will we find ways to fill it with purpose and meaning? That will be our challenge in the coming days. That, and dealing with our elderly dog.